Erhu player bowing the two-string fiddle
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Erhu

Two strings, no fingerboard, and a sound close enough to the human voice that people recognise it.

Performers1 musician
Set length30–120 min, in sets
SpaceFrom 2×2 m
MusicLive and acoustic
Best forCeremonies · Dinners · Receptions
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Erhu artist soloShowreel
Erhu artist in red costume

Erhu artist in red costume01 / 03

For moments that want feeling rather than spectacle.

A bowed instrument with two strings, a small resonating body and no fingerboard. The player stops the strings in mid-air, which is what allows the continuous slides and vibrato it is known for, and also what makes it difficult.

WhatOne musician, seated, in traditional dress. Sets of 30–45 minutes across an evening.
OriginThe erhu belongs to the huqin family of bowed instruments, which entered China along the northern and western trade routes and had been absorbed into Chinese music by the Tang and Song periods. It spent much of its history as a folk and opera instrument before moving to the concert stage in the twentieth century. Its best-known piece, Erquan Yingyue — “Moon Reflected on the Second Spring” — was composed by the blind street musician Abing and is among the most recognised pieces of music in China.
WhereA wedding ceremony, a memorial, a private dinner, a gallery opening, a tea ceremony.

What it is

The player stops the strings in mid-air, which is what allows the continuous slides and vibrato the instrument is known for, and also what makes it difficult. The bow is threaded permanently between the two strings rather than passing over them.

What happens in performance

Played seated, typically in traditional dress, in sets of 30–45 minutes with breaks across an evening.

Repertoire moves between classical pieces, folk melodies and contemporary arrangements. Familiar Western melodies transfer unusually well, because the sustained, vocal line suits song material.

Volume sits naturally under conversation. In a quiet room it does the opposite and holds full attention.

Where it works

The erhu suits moments that want feeling rather than spectacle: a wedding ceremony, a memorial, a private dinner, a gallery opening, a tea ceremony.

Where the guzheng fills a room with texture, the erhu carries a single line, which makes it the better choice for a small space, and the natural partner for guzheng when both are booked.

Cultural background · 文化背景

It spent much of its history as a folk and opera instrument before moving to the concert stage in the twentieth century.

Practical requirements

Minimal. A chair without arms, a stable level floor and around 2m × 2m. Acoustic in most rooms; in a large or noisy space we can provide light reinforcement.

Indoor is preferred. The resonator head is sensitive to damp and temperature swings, so outdoor performance needs settled weather, shade and cover.

Duration
30–120 minutes, in sets
Performers
1
Floor space
2m × 2m
Ceiling height
No requirement
Noise level
Low — acoustic
Indoor / outdoor
Indoor preferred
Setup time
15 minutes
Best for
Receptions, dinners, ceremonies, private events

Questions

Can you play Western music?

Yes, and it suits the instrument particularly well — the erhu carries a melodic line much as a voice does. Send your requests and we will tell you honestly which arrange well.

Do you need amplification?

Not in most rooms. For a large or noisy space we can provide light reinforcement.

What is the difference between erhu and guzheng?

The erhu is a bowed two-string fiddle carrying one melodic line; the guzheng is a 21-string plucked zither filling a room with texture. For atmosphere across a reception, guzheng. For a single expressive moment, erhu. They also play well together.

Can you perform at a wedding ceremony?

Yes, frequently. It is quiet enough to play under a ceremony and expressive enough to carry a processional.

Tell us about your event and we'll build the programme.

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